Bio of an Ironhead
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This story (and pics) was sent in by John Pastore. It's a tale of how his Ironhead came to be.
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I wanted to document the story of the creation of the Sportster of my dreams. These pages will tell you everything about the bike you would ever want to know and then some. I feel my motorcycle is a work of art in machinery. As with any work of art that is created from ones own personal vision, these works take on a bit of their makers personality and character. Sometimes the success and value of these works depends on the personality and character of its creator so I will tell you a little about myself along with the technical specs and performance information. I hope to give you the story of the bikes origin, its creator and its history for you to enjoy. Thank you.
About Me:

I am John and I work as a Network\IT consultant and live in West Chester PA with my wife, Samantha and daughter Gianna. I have loved Harley Davidson Motorcycles ever since the very first time I saw and heard one. Of all the good and bad things I had heard over the years there was one thing I was sick and tired of hearing from sport bike riders was Harleys being called "Lead Sleds". I promised myself, when I got one of my own, it would be a different story and make no mistake, this Harley has been built to smoke other bikes and I do not mean just other Harleys. I knew that that would be a challenge and I accepted it with a "whatever it takes" attitude to achieve it.

Besides building Harleys for fun, I have been a professional and semi-pro musician, guitarist and songwriter since the age of 15. I started out playing nightclubs at the New Jersey shore before I was old enough to get in the door. I cut my first studio Demo tape at the age of 17. My first musical love was, what else, heavy metal. I played the music of mostly all the artist in this genre leaning heavily on Zeppelin, Hendrix, Sabbath and the like till my late teens and when I began writing and performing my own music. Once writing my own music my tastes expanded quickly. The search for more intense musicianship drew me to other influences like Zappa, Rush, Yes, Jeff Beck and Genesis all the while keeping up to date on the metal scene. During my years as a guitarist I have shared the stage with artists like Dee Snyder and his band Widowmaker, The Outlaws, Johnny Winter and thrash heavies Pro Pain. I still keep very active in music. Over the years I amassed a great deal of guitar and recording equipment. I now write, arrange, record and perform heavy, rhythmic and melodic original music that is regularly associated with bands like Queensryche , Creed and Staind.

Intermingled throughout the years of my musical career, a love for computers and the related technologies was always present. Over the years I developed my skills learning the tricks of the trade as far back as Microsoft DOS 3.0. Today I work as a Network engineer and technology consultant. Primarily I design, build, configure and support a wide variety of LAN\WAN and Internet technologies. It is probably the work most suited work for a creative person that enjoys meeting a challenge head-on and likes to solve problems. This certainly rings true with me.
About The Bike:

I was looking for a special model
Sportster to start with as a base for a project bike. I had called 30 or 40 shops located
up and down the East Coast looking for something that was not already chopped, bastardized
or Frankenstein-ed.
Lucky for me, at the time I had a friend who was buying a 1972 Sportster from his brother
in Boston who could no longer ride due to a knee injury. He had heard about me looking for
one also and told me I should ride up to give his bro a hand and look in some shops while
I was there. Taking his advice, we packed up 2 pickup trucks and went to pick up his bike
and try finding one for me. I found a little shop nearby in Cape Cod that seemed to have
just what I was searching for. It was a nearly stock 75th Anniversary Limited Edition XLH
with gold mag wheels, Bendix Zenith carburetor, points, and a mechanical regulator. No
high performance modifications with the exception of a high flow air cleaner. I paid the
shop $2500.00. It had 10,000 miles on from the original owner. We trucked the bikes home
from Cape Cod, Mass. to Philadelphia, PA.. The next day the bike was administered gas,
oil, filters and new set of plugs. A quick check of the points and battery were done and
it fired up instantly. I rode the next two seasons with nothing other than routine
maintenance.

During that time another close friend Arcides ( R-Cee-Dees) and I began forming a plan to customize and build a couple of seriously kick ass Harleys. Arcides owned a bone stock 1972 XLCH that we paid $4,500.00 for to the original owner. We looked for and hooked up with other riders that were interested in, or had already built, custom bikes learning as much as we could along the way from them. We read countless cycle rags and looked at hundreds of custom bikes. We now know that only by taking the time to look and learn about all those bikes that were products of another persons personality, character and dreams could we have built unique bikes of our own. We also researched what the options and procedures for building a hot Harley street machines were and who was doing them. Some of the better known shops in our area involved in the building, modifying and high performance aspects of this bike include Cycle Service, Zippers Cycle, Branch Flowmetrics, Nicks Cycle Salvage and Hannums Harley Davidson. To actually perform, coordinate, rebuild and handle customizing issues we used a local machine shop that had a solid reputation of repairing and restoring Knuckleheads, Panheads, Shovelheads as well as Evo motors on a regular basis. One deciding factor in choosing this little shop was that the back of this shop had a separate private area which specialized in dragsters. At any given time I saw no less than 3, 10 foot long full blown Sportster dragsters most with 90 cubic inch or better engines. I wanted horsepower and these guys where doing all the research. Its one thing to tell some one you know what your doing and quite another proving it every weekend on the race track. After a few weeks of talking with the shop owners about the many possible limitations, options, modifications, updated systems, component combinations and products that would produce predictable and consistent results we worked out a schedule and chose which modifications would be done during the rebuilding of the engine. In the end the choice was simple, I picked the hottest possible setup using the best products available in every key area of the engine, transmission and chassis, that would not impact reliability but would be a good balance between horsepower gains vs. wear and tear.
The Process:
This bike is the product of years of research, fabrication, testing and tuning as well as a good bit of trial and prayer. I have broken the process down into 2 phases that detail the ( Pardon the usage of the term . . ) evolution of the Sportster into what it is today. I have detailed photos showing the different stages, progress and pictures of the bike at the completion of each phase.
Phase 1 : Street \ Drag

The Sportster was completely dismantled. The wheels, sheet metal, engine, front end, swing arm and electrical systems were removed leaving the bare frame. While the engine was being worked on at the shop, I took charge of frame modifications and sheet metal and paint. The frame was taken to D&G Metals where it was sandblasted dead clean. Frame supports and engine mount welds were strengthened and the frame was then tested for its trueness. The steering head was custom molded to eliminate casting marks and holes to create a smooth clean shape. This look was then extended down to the point where the steering head is joined to the wishbone eliminating the abrupt step at that joint taking care NOT to fill in the serial numbers. Duponts ChromaBase Flint Metallic Black was then used for the finish on the frame. New Timken head bearings and swing arm bearing were used to replace the originals.

As I was off searching for fenders, forward controls and other options to complete the frame the shop had split the cases on the engine. The flywheels were sent to have a new crank pin and rollers put in and the stock connecting rods were reconnected. The flywheels were then trued and balanced. During that time back at the shop, the races on both sides of the case were lapped before the halves were rejoined and new Timken bearings where installed. While we were in the cases all races and bearings were checked and lapped or if needed replacements were pressed into the case. The jugs where then bored and honed to .020 over. We decided the engine would not be stroked and that Wiseco 10.5:1 would give us more bang for the buck without making the engine too hard to start. We were wrong, the bike ate 2 Prestolite starters before the starter was converted to a Big Twin Hitachi starter in Phase II.

With both halves together once again the shop began the work on the clutch and transmission. To compensate for the poor design of the Late 70s wet clutch the shop drilled holes through the clutch hub that would allow oil to fly out of the hub. This obviously would give the clutch more bite but it would also create more heat. To overcome this obstacle a Barnett Kevlar clutch and steel plate setup was used. Barnett also makes an " extra plate " version for this year Sportster so there is a lot of help in this area.

Barnett also makes a heavy duty clutch spring which we tried for the drag strip but, it seemed to press the pack too hard for the street and eventually snapped a few steel plates every 4-6 months. We went back to the stock inner\outer spring sets and have run very well. A Pingle heavy duty transmission door replaced the stock door. Andrews Close Ratio Main shafts were installed and the box was totally rebuilt and the stock gearing changed. Now to be perfectly honest, This part of the job was a big secret. The builder of this transmission would not go into any more detail than to tell me, " Oh, youre going to love this" and grin. I do know that he changed the shafts and the gears themselves and their ratios. Hastings gears were used over Andrews gear choices. A new strengthened shift shaft was installed as was a Tsubaki primary chain for maximum strength to finish out the primary side. I questioned the use of the Hastings gears at the time because my research showed me that Andrews was a superior hardened gear. Then Bob showed me the box of cracked, shattered and otherwise destroyed Andrews gears he told me that in a competition gear box you want just the opposite. Softer gears with better mating surface tend to be much more forgiving under the brutal beating this engine was going to deliver when it was complete. He could not have spoken truer words. I learned a lot about high performance engines and racing during this time. I would go to the track with these guys and learned that gears win races not big inches. I learned that hitting 45-50 MPH in first gear with the bike still pulling and having a 2nd gear that is just as tall is way better than punching out your Sportster jugs to get 74 C.I.. Its a common misconception. It also makes this Harley sound like nothing you have ever heard before in your life. Not only does this trans perform like this, it also shifts like butter. On the highway at 65 MPH you can kick down to 3rd and wind her up. Trying this on any stock 70s Sportster will turn the engine into shrapnel. Every time I try to weasel some bit of info out of him about what he did to that transmission he just grins a stupid grin at me and asks me if I still like it, and of course, I do like it. Thanks Bob.
Heads are another one of the weak points on the Harley iron motor. The machine shop had opened the exhaust valve port up to accept a 1-3/4" valve. They were then sent to Branch Flowmetrics in Texas. The heads came back looking like mirrors inside. At the machine shop Rowe bronze racing valve guides and Manley Stainless Steel valves were installed. Special high lift springs were ordered from Sifton to set up for the Andrews R5 cams. This setup was changed for several reasons in Phase II but we will talk about it then. Let me just say that most of what I got on the Dyno and at the track I got with the help of this head configuration.
The rocker arms had been polished smooth to lower their weight and "Slingers" were cut into them ( more like left on, two areas on each side of the rocker arm were not polished off leaving a sort of curved looking fin ) to throw oil around the inside of the rocker box cover. This helps lubricate the bushings and the valve stems. They were installed into the rocker box tops using custom made bronze shims eliminating the stock spring retainers. The R5 Cams chosen for the engine are punchy in the midrange with lots of torque. Good for street power which was where the bike was intended to spend most of its time and occasionally be set up for the track. All the old mechanical electrical was removed and replaced with updated solid state electronics.

With the engine back in the frame I started fitting up sheet metal. I must say that at the time it was slim pickings. There just was not a whole lot out there for 70s Sportsters. Some stuff just had to be custom fabricated. My intention was a radical Custom Sportster, not a Sportster pretending to be a Big Twin so Fat Bob tanks and wide glide conversions were out of the question. The only modifications on the bike to steal from the big twin styling are the forward controls because Im 6 feet tall, and the bobed fender to allow the 130 rear tire. Gotta have the fat tire on a custom cycle! I got that tire on the bike with the help of a machinist friend Mike D. that made up special spacers to offset the wheel just enough to give the chain and tire some breathing room.

To me , and this is just my opinion, nothing looks cooler or has the style of an old Iron Head Sportster. Todays bikes just dont have the lines. I wanted to give a low lean look to the Sportster. I found I could run FX style shocks with the Bob tail fender and still clear the tire. The tire was dropped down to a 16" from the 18" mag and I went with spokes front and rear. With the custom Corbin seat the bike was lowered 3" overall. The paint used was Dupont Chroma Base Navajo Turquoise. It was a cool color to me because at the time "Teal Green" was all the rage. This paint was a teal but based more on a blue tint making it very unique. I am truly a sucker for blue.
Well Like they say, the poof is in the pudding so here she is ready to go in the Spring of 1994. It took about 2 days to prep and tune for each trip to the track. That year this bike Dyno-tested to 76 HP and turned in a 10.37 ¼ mile @ 131 MPH. This bike was run pretty much the way it is seen here for about 2 or 3 seasons. During this time I found out that Sportsters like to shake themselves into oblivion so close friends helped change out snapped motor mounts and busted battery box bolts and the like. I guess my predisposition for 7,000 RPM shifts was not helping this bike stay in one piece either but this bike ate rice rockets on a regular basis. I think most of that is due to you cant beat somebody thats just plain nuts and determined to win at any cost.

So this is the way this 1978 XLH 75th Anniversary LTD looked until somewhere around 1997 - 98. At that time it seemed everywhere I looked I saw what looked like another version of my bike. Now I would hate to think that I started a trend in my area but these blue Sportsters with bobbed fenders and drag bars were popping out of the wood work. I knew that what I had was unique because I had truly built a bike that could easily back up its show with a ton of go, but I wanted to do more. I didnt want anything anywhere to be like my bike. I guess that is the true nature of the real Harley rider. So it was onto Phase II

Phase II: Custom Show\ Street Drag
Its hard to be different. You need to find that place inside that belongs to only you. That is where you find your vision. Only by being honest with yourself and staying true to your vision can you create something unique. After pounding the streets and highways proving to myself and anyone that dared go against me that I had achieved the performance goals I set out to accomplish, I wanted more than anything else to create something one of a kind. I wanted to ride a unicorn. I was again joined in this project by my friend and neighbor Arcides ( most just call him RC ). He and I have spent countless hours riding, reading, talking and working on our bikes together. RC is probably the only other rider I have ever met that has shown me the sheer determination and willingness to do whatever it takes to reach a goal. I am very glad he was there during this process to share his thoughts and ideas and I am proud to call him my friend.
Over the years of looking for old Iron Head parts you end up in some really weird places. Some friends had steered me to a place everyone calls "The Junk Yard" in Williamstown New Jersey. The place was an old farm turned Harley Heaven. It had a main building that was a barn at one time and several smaller structures that served as service shops and others as showrooms. Walking in a total stranger and asking if I could get some help building a custom Iron Head I spoke at great length with a friendly guy with a long beard named Nick. He told me he had everything I could ever need for my old Iron Head and took me for a walk around the grounds. Seeing rows and rows of everything ever made by Harley Davidson impressed me plenty. Another thing that impressed me was some of the custom scoots I saw pulling in and out of the different shops. I later found out that Nick was the owner of Nicks Cycle Salvage. We enlisted " Murphy" who ran a shop at Nicks and specialized in custom Sportsters. I think the first couple of hours talking to Murphy blew his mind. I dont think he was fully prepared for the onslaught of ideas RC and I had for our bikes but he was up to speed in no time flat. Murphy lined up all the chroming, machining and assembly that would be necessary to complete the projects and also lined up a very talented painter. Soon after meeting the painter that would work on both of the bikes, we started once again looking into obscure colors and paints. Flames and the usual stuff were totally out. This had to be different! This is the last day before we totally dismantled the bike for a whole new look. Notice the bike never stops changing!


The painter was Jim from ¼ Mile Custom Concepts. A custom paint and body shop. Jimmy had done a lot of work on dragsters, funny cars and the tractors and trailers that hauled them around the country with matching custom graphics. At the time had not done a lot of Harleys but wanted to make the transition to full blown custom Harley work. I loved his work and could see he was really into doing something special. We drove over to his shop and I could clearly see his work was first class. He also seemed willing to listen to my ideas which I found impressive. Most of the other painters I talked to told me "Ghost Flames" and " Flip- Flops" meant custom but I never saw my bike looking like anything I had seen as examples of that type of work. It just wasnt good enough and it seemed everybody was doing that. It just seemed old and tired.
Well we had some thinking to do so in the meantime, off with the sheet metal and out to Browns with parts that needed to be chromed. Youll notice the original shroud still over the headlight in the picture above. That was done away with and replaced with a Zel bracket mounted headlight for a super clean look on the front end. Also while reworking the front end a fork brace was added for better handling in the corners.

Well here we are once again down to the nitty-gritty. The triple trees were never chromed in phase I and going for a show look I wanted everything on the front end chrome. Since I never uses turn signals Murphy ground off the mounts before sending them out which made a big difference in the finished look. While the engine was out of the frame it was also given the once over to repair or modify problems I had encountered over the last few years and there was a couple.

The race setup on the heads had basically worn out. I was blowing oil past the valve guides and seals and some galling of the valves had also occurred. Bronze is fast but does not last. Now I could have let this go but being that I was there I sent the heads back to Bob at the machine shop. Bob told me that this was untimely for the heads to be done again so soon but I persuaded him to replace the bronze guides and go with the best iron guides he could get as I did not want to see the inside of those heads for another 10 years. He agreed that the Rowe iron guides and new valves would give me that kind of life. He warned me that I would lose some of the lightning fast rise in RMPs and overall top end and did the job for me. About a week later Bob called me at home to tell me S&S just made a new spring setup for my heads and asked me if I wanted to try it out. I asked why and he replied " So you still pull hard thru 7,000 RPM"! Bob is a Harley God and I do not pretend to know what he is doing but he does know how to make Harley engines scream bloody murder so I agreed to try the new setup. Again, he nailed it!
While talking to Murphy about the high compression pistons I am using and how the
bike sometimes sounds like it can barely turn over with a full charge on the battery. I
also mentioned that I was on my 2nd starter at the time. He told me of a conversion he has
done to iron head Sportsters over to Big Twin starters. With a little machining of the
case he changed the Prestolite starter over to the Big Twin Hitachi starter. This starter
cranks the motor much easier than the old setup. Problem solved.
Back in New Jersey I was talking to the painter and I think at this time I was
really making him a little crazy. My idea was to make the paint speak something about the
bike itself. I remember thinking at time that those trips to Maryland left me feeling like
I had rode a jack hammer for 2 hours. Then it hit me, damn if this thing isnt
"Hard as a Rock". I wanted the bike to look like it was cut out of solid rock.
Now at this time there was a lot of granite and marbleize work out there so Jimmy took me
to his shop to show what the effects looked like. I did not like them at all. As a kid I
went to a huge church that had an altar made of solid marble. I remembered how it looked
like glass, so shinny and smooth, but also had depth like you could see deep inside the
rock itself. BANG! The idea was born. I took with me a sample of Italian marble and showed
it to him. "I want it to look like this" laying the slab on the table. He said
the only way to do this is for each line to be airbrushed by hand. "So be it "
and off to find and artist we went.
Jimmy knew a young tattoo artist that was trying to break into Harley airbrush work
at that time. His name was Eric and he ran a shop in Jersey called "Altered
Art". Meeting with him he seemed pretty hip on the idea I was trying to get across
and he came up with some interesting concepts. In the end I wanted the lines not to be
misconstrued as lightning although I find to this day some still do, but his work is some
of the most outstanding I have ever seen. As a base for the work I decided on House of
Kolor Blue metallic. Like I said Im a sucker for blue. Here is the sheet metal
before clear.

Well this project went by quickly once I knew what I wanted. Jimmy and Murphy did
an excellent job. One last touch that Jimmy came up with was to match the color of the
paint with metal flakes in the frame and Murphy did a nice Highway wiring job to finish
out the overall look.
Here is the bike on the truck heading for home


Notice we matched everything right on down to the oil cooler. There is also the steering dampener that matches for the drag strip. Now remember as I tell this story about what was going on with my bike, my bro RC was putting the finishing touches on his scoot as well. Two weeks later RC picked up his scoot and we ran them out to take some pictures together
I think we accomplished what we set out to do. It does not matter where we
go, when we park these bike side by side they simply draw a crowd. I know now that I will
never see anything like my Sportster anywhere with the exception of my very good friend
RCs bike. I am glad to have helped him to create his vision and get it built.


Well, they say there
is no work like teamwork and in this case I have to agree. These bike have won a lot of
shows in the PA. DE. And NJ area and pack an awesome punch on the street. I want to thank
you for taking the time to read all this stuff and again for your interest in the bike. I
am very proud of the work done and those who were involved in making this dream come true.
Thanks Again
John Pastore
Parts List
Engine: Cylinders +20 cut and honed. All internal engine bearings new ( Timken ). All case
races\Bosses checked and re cut and bushings replaced were needed. Balanced Flywheel.
Branch Flowed Heads. Custom 5 angle valve job. Manley Stainless Steel valves w\ 1 ¾
Exhaust, Sifton high lift springs, Polished rocker arms shimmed w\ bronze spacers ( no
springs ), Rowe high performance cast iron valve guides, Andrews R5 Cams, Wiseco +20 -
10.5:1 pistons and rings, Oil cooler, S&S Super E w\Thunder jet. 40" slash cut
drag pipes with channel mounts, Pingle rear motor mount, 1200cc FL type Hitachi starter
conversion. Aircraft style clamps in intake and exhaust.
Transmission: Andrews Close Ratio gear set with modified gears and ratios. Barnett Kevlar
extra plate Clutch kit. Barnett heavy duty steel plates. Drilled Clutch Hub. Tsubaki
Primary chain, Tsubaki HQ drive chain, 21 < 51 Sprockets.
Electrical: Dyna Solid State Ignition, Stainless Steel Advance unit, Accel Solid State
regulator, Accel 30,000 Volt Coil, Accel spark wires, new battery.
Frame: Custom molded wishbone to steering head joint, custom painted frame, Custom House
of Kolor show paint and airbrush art ( comes with matching, oil bucket, oil cooler and
steering dampener *not shown ), Forward controls only, Dual front disks, Custom one piece
1" Drag Bars, Updated 82 and up switches and levers w\master cylinder, Custom ZEL
Headlight and mount, C.C. Fork Brace, 19"F, 16" R chrome lace rear wheels w\Avon
Road Runners 90\130, new swing arm bearings, new fork head bearings, New oil bucket\batter
box mounts, 13" FX style short shocks ( bike is 3" lower that stock overall ),
Axle mounted Inspection plate, Corbin Custom Gunfighter seat, Ness sport front fender,
Bobtail rear fender, cats eye taillight on chrome license plate mount.
All lines: oil, gas, throttle, brake and clutch are Brailed Steel with Magnum clamps where
applicable.
Chrome: Front End - Everything - Trees, Tubes, Lower legs including wheel hub and spokes.
Dual disk calipers, Fork brace, Engine mounts (front and top), Rocker box tops, Forward
controls, Shocks, Primary cover, Primary cover access plugs ( trans. Fill and clutch
adjust), Cam cover, Timer cover, Sprocket cover, Wheel ( Rear 16") hub and spokes,
Handlebars, Handlebar controls, Ness grips, Ness Stealth II mirrors, Power levers, Ness
Speedo mount, Speedo cover, Fender Rails, Battery box, License plate mount, License plate
box and backing plate, Taillight, Headlight and mount, Chain guard, Rear brake drum cover
and linkage, shift lever and linkage, Gas cap, Starter cap, Generator cap, Oil cap, all
fittings and bolts.
Extra Parts
The original 2-1 header pipe ( needs work )*
2-1 Baffle Exhaust for header ( Turn Out )*
2-1 Drag Pipes for header ( Slash cut )
Channel Mount Bracket ( Extra )
Custom Painted ( matching ) Steering Dampener
Mustang Gunfighter Seat ( Blue Flame )*
S&S Velocity Stack ( Drag Only )*
Engraved Rocker Box tops by Dave Perwitz ( Need Chroming )
Harley Davidson Service Manual
Tachometer Drive
New Braided Steel 3/8" line ( 5 )
New Cats Eye Lens ( Blue Dot )
H.O.K. Touch up paint
* As seen in Photo